Where Is Victor DiMattia Now? The Timmy Who Kept Creating

By CelebPaid Research · Updated October 7, 2026 · 8 min read

Thematic illustration: a baseball field, evoking DiMattia's Sandlot roots. This is a generic image, not a photo of the subject.Image via Wikimedia Commons

He was the eldest Timmons brother — the Yankees fan, the straight man to Repeat's echoes. Victor DiMattia played Timmy Timmons in The Sandlot (1993), and unlike most of the kids on that field, he never really left the entertainment world. He just kept changing what "entertainment" meant: actor, musician, film director, Web3 executive, nonprofit co-founder.

DiMattia's is the most eclectic second act in this group — a career that reads like five different people's résumés stapled together. This is the verified story of where Victor DiMattia is now.

The Peak: Timmy Timmons and the Long Gap (1993–2018)

As Timmy, DiMattia was the Timmons brothers' anchor — the older kid whose lines his little brother repeated, the Yankees devotee in a film full of baseball mythology. After The Sandlot, he continued as Sam in the TV series A Peaceable Kingdom until 1995 — and then, like Repeat's portrayer, largely disappeared from the industry.

The gap lasted over two decades. But DiMattia wasn't idle; he was training. He emerged as a musician, actor, and trained film director — going on to direct two short films and returning to the big screen in the 2018 indie Get Married Or Die. The kid who played the straight man had become a filmmaker: the long game, played quietly, while the reunion circuit kept the Sandlot flame alive without him.

A lifelong sports fan — ice hockey growing up, plus football, baseball, and basketball — DiMattia's athletic identity never left either. It would become the bridge to his most meaningful work.

The Pivot: Masscult, Web3, and the Technology Turn

Today DiMattia is Director of Web3 Initiatives for Masscult — the Nashville creative agency co-founded by his Sandlot castmate Grant Gelt (Chief Strategy Officer). Web3, the blockchain-and-decentralization technology sector, is about as far from a 1993 baseball movie as a career can get — which is precisely what makes the pairing delightful. The Timmons brothers' co-star and Bertram, reunited as tech executives.

The move makes more sense than it looks. DiMattia's path — music, film directing, technology — is the path of a creative generalist, someone who follows interesting problems rather than job titles. Web3 initiatives at a creative agency means working where entertainment and technology collide: the exact intersection his whole career has been circling. The Yankees fan grew up to work on the future.

Play Forever: The Nonprofit

With Gelt, DiMattia co-founded Play Forever, the youth-sports nonprofit — joined by nonprofit veterans Jacque Williamson (15+ years in environmental and education nonprofits) and Ivan Carter (COO). The mission, in DiMattia's words: "We have all personally benefited from playing sports, learning valuable life skills and building resiliency through competition. If we can pool together the love of The Sandlot, to improve the lives of young people, and level the playing field for kids, it would be special."

For DiMattia, the lifelong athlete, the cause is personal in a way it isn't even for Gelt. The ice-hockey kid, the baseball-movie star, the man who never stopped playing — building an organization that gets kids onto fields is the most direct possible translation of his life into service. The nonprofit runs booths at events like LA Comic Con's Sandlot 30th-anniversary panel, converting nostalgia into access, one kid at a time.

"This isn't just something that we wanted to put our names on," Gelt said of the shared venture. "We are here to work and to hustle and make real impact wherever we can." DiMattia's two decades of quiet creative work — the shorts, the music, the directing training — turn out to have been preparation for building things that last.

The Present: Dugout Dads and the Diamond Again

DiMattia is everywhere in the current Sandlot renaissance: the December 2023 New Smyrna Beach 30th-anniversary weekend (screenings, meet-and-greets, the softball game), the LA Comic Con panel, and 2026's Dugout Dads — where he appeared with Shane Obedzinski in Episode 5, talking about stepping back onto a baseball diamond together, the emotional fan encounters, and what it means to reunite 33 years later.

The podcast appearance is revealing: DiMattia as the "fun maker," the energy of the reunion, the guy who fell back into "11-year-old kids mode" on day one of the shoot. Thirty-three years later, the Timmons brothers — on screen and off — still have the dynamic. Some chemistry doesn't fade; it just waits for the next reunion.

Based between the tech world and the nonprofit world, the music world and the film world, DiMattia's adult life resists a single label — which is exactly how he seems to like it. The straight man grew up to be the most interesting man in the room.

Where Is Victor DiMattia Now?

As of 2026, Victor DiMattia is Director of Web3 Initiatives at Masscult, co-founder of the Play Forever nonprofit, a trained film director and musician, and an active Sandlot reunion participant.

Timmy stopped repeating himself a long time ago — he's been writing his own lines ever since. Actor, musician, director, Web3 executive, nonprofit founder: five careers, one through-line. The straight man kept every ball he was ever thrown — and then learned to pitch. The Yankees fan works in Web3; the straight man directs; the kid from the diamond builds diamonds for other kids. Every chapter different, every chapter his — and the book isn't finished yet — not even close. The diamond keeps calling him back — and he keeps answering, glove in hand.

The Director's Eye: Two Shorts and an Indie

DiMattia's filmmaking deserves more than a line — because "trained film director" is doing a lot of quiet work in his biography. After the 20+ year acting gap, he didn't just return in front of the camera for Get Married Or Die (2018); he came back having learned to run the whole apparatus. Two short films directed, the craft studied properly, the long apprenticeship served out of sight.

The indie — Get Married Or Die (2018) — was the proof of concept: back on a big screen, decades after A Peaceable Kingdom, as a different kind of performer. The kid who was the straight man at twelve had become a filmmaker at forty-something, the kind of career arc that only works if the intervening years were spent actually learning. No shortcuts, no nostalgia casting — just the work.

The musician thread runs alongside it, less documented but equally real. DiMattia's bio lists musician before actor in some tellings — the order matters. Music was never the day job; it was the private practice, the thing done for its own sake. The Web3 role at Masscult, the nonprofit, the podcast appearances — all of it sits on top of a foundation built in those quiet decades: the years when nobody was watching, and he was becoming someone worth watching.

It's the inverse of the usual child-star story. Most fade because they stop growing; DiMattia disappeared because he was growing — just somewhere the cameras weren't. The director's eye sees the long game. His whole adult life has been one.

Then vs Now: Two Chapters

Victor DiMattia played the straight man at twelve — and spent the next thirty years proving he was anything but.

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